Jeff Ament made his presence known on an 8-string bass on “State Of Love and Trust” before an emphatic version of “Porch” closed the main set and shattered any remaining doubt as to the power and form of modern day Pearl Jam. Vedder then got a little teary as he recognized the band’s Hawaiian keyboardist, Boom Gaspar, with whom he co-wrote “Love Boat Captain”, a Riot Act (2002) selection making the setlist for just the second time in five years. Given the recent wildfires in Hawaii, Mr. “Daughter” was next before “Superblood Wolfmoon” played homage to the recent, rare “Super Blue Moon.” The set continued cooking with bangers “Why Go”, “Seven O’Clock”, “Even Flow”, and “Dance Of The Clairvoyants”, drummer Matt Cameron driving the beat before things cooled down with “I’m Open”, a deep cut from No Code (1996).Ī flawless performance of “Insignificance” followed as the Binaural (2000) track returned to the setlist for the first time in 74 shows, dating back to 2016. “Given To Fly” brought the crowd energy to a fever pitch ahead of a stirring telling of “Mind Your Manners” ( Lightning Bolt, 2013). The band’s first five songs spanned five different albums as the musicians remained seated through a run of “Buckle Up” (Gigaton, 2020), “Sometimes” (No Code, 1996), and “Wishlist” (Yield, 1998), before rising to their feet by “Black” ( Ten), one of the night’s definitive highlights and another relative rarity given its early placement in the set. (1993) selection and usual encore was given show opening duties for the first time since 1994. “Indifference” opened the night, the first surprise of the night as the Vs. Just days removed from the 32nd anniversary of the band’s debut album, Ten (1991), and nearly a year after its last performance (Denver, CO, 9/22/22), fans’ Pearl Jam devotion remained as fervent as ever.Įddie Vedder and company made sure it was worth the wait for all when the time finally came, delivering a 24-song set that included surprises, setlist rarities, and career-spanning hits. on Tuesday, a full two days before the scheduled start time of the first Pearl Jam of 2023. In Seattle, so many of the great grunge heroes have died, that fans of the genre can only look to fictional creations like this to satisfy their fantasies of such magnificent collaborations.The first fans started lining up in St. Probably the two most significant grunge rockers from the Seattle area, Cobain and Cornell coming together in song today-an impossible matter since both men have passed away (Cobain in 1994 and Cornell in 2017)-would break the internet, even if they were still living. In the styles of Cobain and Cornell, our voices will always blaze Final Thoughts Together we’ll sing, until the end of days In these dueling voices, our pain will cease I’ve got a hunger deep inside, burning like a fireĪ desire for connection, to take us higherįorever singing, as the night turns to day In this world of chaos, let the emotions flowĪ dissonant symphony in this broken crowd I wear my heart on my sleeve, it’s all I know Through the darkness and the noise, we’ll make them sway In the shadows of the city, we’ll find our way Singing our songs of pain, searching for the truth We’re the voices of the disenchanted youth Let’s sing it together, under this pale moon Through the haze of distortion, I comprehend Trying to find some meaning in this sonic gloom My guitar’s my only friend, in this darkened room Lost in a world where nothing’s as it seems With the help of ChatGPT, here’s what the artificial intelligence bot reveals about a collaboration between Cornell and Cobain. But while Cobain and Cornell never released a song together-indeed, Cobain wasn’t a part of the Andy Wood tribute album, Temple of the Dog, which included Cornell, Eddie Vedder, Mike McCready and more-we can see what a collaboration might be like here.
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